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BIG SHRIMP, little lobster

by Freshman Biology

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1.
your hand creaked in mine i felt ten thousand bones become buoyant in the gulf i could barely make their shapes, i was so cold but you played a perfect song through the old computer speakers and i could swim i need someone i can make something with then it was so bright out on the drive home first day back from school i left my shoes at your house i'll pick them up in the morning if you're awake i was so fucked up i couldn't tell am i existing too close to you? would that i'd held clarity composed and aspartame threw the ring from your balcony together i could barely make your shape i was so small but you held me in your arms as we sprawled in new directions and i could swim you could swim
2.
i was wrong to have let you lead me here i'm so fucked i never should have tried to surprise you i never should have tried shifting on your mattress like an unfocused lens when you go back to portland i'll move on
3.
tunnels starve for heat passing in fireworks that split the piano cabinet, in spitting mists of embers making embers by our feet then, briefly removed from your arctic womb your lips moved in shapes of reason your lips moved in shapes of: "clear you were never attached only unfocused at the right angle" and that built an ice pick haunt in my wolf brain underwhelming birthday; I'm old again confusing "I" with an instance of nosebleed duress comparing love with a trending of eyes-closed sex "clear you were never attached only unfocused at the right angle" and that built an ice pick haunt in my wolf brain
4.
wager your anointing in the space where we left the husks of cars to atrophy our pupils nearly stainless lover, I had all ends in my fists but I clenched as you cocked your body the grains withdrew to my wrists your legs halved on my stomach i could only pour my sacraments loath to your ocean until optic nerves float like algae - aimlessly and can I braid my tendrils through your molars? blindly pulling roots from her engines are we austere in our routine extractions? i was born with a dam in my ears; i only want to speak (i don't think i can love your open mouth) in my aberrant hunt for abrogation i was pregnant with impulses coming incrementally ill i can't look at those parts of your body i can't take our blood from the map i can't reattach the nerves that flew right out your windshield you moan as I offer you your zenith by my frictions then silence as the deer takes your eyes lover, i had all ends in my fists but I clenched as you cocked your body until optic nerves float like algae - aimlessly and can I braid my tendrils through your molars? wager your anointing in the space where we left the husks of cars to atrophy our pupils nearly stainless
5.
i was born with a dam in my ears vertically asleep with the river between my eyes and nose in my skull there is nothing but snow smothering my wolf brain the algae crowds my optic nerves so lover, flow through me
6.
first signs of collapse overshadowed by hopeful tells of progress. as the trestles snapped you fled, ultimately seeking shelter in a ramshackle winepress. and i, well i was in a sun-stained garden, reaping with my naked palms until my hands turned black. when i tried to drink, dissolve my thirst, the tap only filled my mouth with blood. bitter, and all my own. when you free yourself of the weight you’ve pulled (je ne comprends pas ce qui se passe dans mon corps) there ceases to be any proof it exists. what is this cruel world? it reminds me of my own. would that i were able to foster the boughs from which you built a home. but instead i laid the concrete for the well that swallowed my advances whole. when you free yourself of the weight you’ve pulled (i’ve exhumed the only solace from the annals of the meek) there ceases to be any proof. (in proving i am neither definite, nor an artifact complete) what is this cruel world? it reminds me of my own. we came unadorned, and ill equipped for success, and it’s the same two shitty amps at every show. i fumble for an awkward chord; make accidental eye contact with the first row. shaking hand slips from the fret-board, and it’s fairly obvious the drummer took advantage of the bar. the question i am trying to avoid, propounds itself between each line: will there be any applause at the end of this song?
7.
tulsa, ok 01:44
i'm still impressed you could make everyone understand what you meant with just your hands and twenty two years in the bible belt rolling trails of motion followed us walking on stained couches covered with insects the size of your father meeting his ego chipped your tooth nine years ago your mother's hemispheres splintered in empathy you waited on the bloodied bottom step midwestern universe synapsing around my thoughts of the future and you gave me your hand when a mountain shot out beneath me awkward morning entry to a silver house but Ian's parents like you and they like me so I think that we will be fine and i'll let you know when i land
8.
okay i'm up 00:44
you recall my moods but you don't remember me a more vivid memory in canada even though you're miles away it's not my first time away from home anymore unsure of my next move more calculated than I ever wanted to be surface calm rough beyond the shore searching for seashells in vancouver drink more coffee than anyone you know because I don't know how to think for myself I like the whirlpool of thoughts the grounds stir up for me rolling down the perfectly manicured hills of neuchatel i am exactly as imprecise as i want to be and i can hear you caroming off the metal slides over by the tennis courts and the day says okay i'm up
9.
starting and not finishing leaving bits of glass draped over our eyelids like dust swept to the center of a lung that i have long forgotten how to use dry lips meet stretching ghosts to fit our pockets on the walk from your car to the shore there is no grace i've ignored more than the mornings i would rush home ready with a poor excuse i'll stop by sometime later in the week if i can drag my cold feet to your door theres an alpine penumbra overhead brushing careless sentiments from the pinewood and i could never ask just what i meant to you because i don't deserve to be reconciled or excused i am staring a new dent in a familiar lapse and i can't seem to pinpoint the phrases you strung together but i recall us feeling unmistakably uniform in a single moment on your balcony before i spent another month in my brightest room and you uprooted the withering asters and i could never ask just what they meant to you because I don't expect to be reconciled or excused
10.
broodstar 03:49
cleared the algae from my eyelids so you could braid embers through our teeth dragged my cattail legs to the shore i've renounced atrophy and its warm smothering (i am a map of the things that keep me awake) spend half a year ignoring twin umbras so we could touch without explanation until we dissected it, drunk in the ocean "am i valued enough for…" (you are a trove of the things that push me forward) in the sand i entombed my bulrush knees dredging fertilized hemispheres from the silt to weave through my ears and i'm so happy our convictions didn't misalign watched the sun rise in my brightest room your hand creaked in mine; i felt...

credits

released January 10, 2016

these songs are written and performed by matthew alain boerner mostly, with the help of some VERY special and irreplaceable people

quintin dixon - thanks for making this ridiculous album art while i watched seth rogen have sex in knocked up right next to you. not even a good movie..

raven chapman - thanks for engineering us in the studio for cute bangs?

ben durshimer - bass on cooking with kale / cute bangs? | vox on cooking with kale / cute bangs? / flag football champs a lil | he wrote dang cool riffs in flag football champs / i'll miss tamiami, i think

jesse blystone - lead guitar on cute bangs? :* we started this project or band or whatever together forever ago

kyle meggison - drum kit stuff on cooking with kale / cute bangs? our real people live drummer

isabelle kelley - vox in lover, i had all ends in my fists | wrote and recited the first verse of okay i'm up

michael galvano - lead guitar in cooking with kale | vox in cooking with kale / lover, i had all ends in my fists

vinicius pippa - perc in i'll miss tamiami, i think / lover, i had all ends in my fists

christina kubow - vox in new dent in a familiar lapse

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about

Freshman Biology Seattle, Washington

You always
have great taste,
Fists full of
changing leaves,
I miss you more
Than I'd like.

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